LS: God that solo, there were so many touches in that solo. Bobby Colomby produced that tune, and he would punch in here and punch in there, and that solo was very, very constructed by Bobby. I mean I like the way it came out, but it was very constructed by Bobby and I always used to think that that was wrong, but I don’t think it’s so wrong. I mean I don’t want to mention names, I don’t want to give it away, but there’s a lot of incredible pop records that are made and they’re constructed that way. My favorite playing, for the record, on that is just where they fade me out. That’s when I start to really go, just before they fade me out. I’d like to hear what I played after that.